
|
|
|
|
Faro’s Ring Part Three
By: Samuel Hayne
Nick spun
around to face the open coffin. A charred and shriveled thing was
slowly rising out of it.
“You have
awakened me from a long night of sleep,” the creature said, then opened
one of the sarcophagus walls like a gate and stepped down to the floor. “And
for that I thank you.”
Nick was
horrified.
The sound of its brittle feet crackled on the concrete
floor as it walked from the sepulcher to the bags beside the Corvette. The
monster’s face was pointed in Nick’s direction, its twig-like arms, stretched
wide as if it wanted a hug.
“I know I must
seem frightening, but this is what happens after decades of decomposition.”
The monster motioned to its brownish skin drawn tightly over the partially
exposed ribcage. The creature’s body was draped in blackened strips of linen
that barely covered its dried flesh.
Nick turned his
head away from the walking corpse. Seeing Nick’s disgust, the monster dropped
its arms to its sides.
“Nick, there is
something you must do, as it is difficult for me to get around. I
promise this will make it easier for you to look upon
me.”
“What the fuck
are you?” Nick choked out. He couldn’t very well pretend it was not
real--this monster was attempting to hold a conversation with him for God’s
sake!
“All your
questions will be answered, my friend,” it said. “I ask you only to be patient
with me a little longer.” It pointed at him with claw-like fingers and waved
him toward another mahogany wood table on the far end of the room. There
appeared to be a marble chest situated on it. “Go there.” Something on its
hand reflected the firelight into Nick’s eyes.
“You want me to
bring that to you?” Nick’s voice cracked. He breathed fast and took short
breaths.
“Of course not,
you fool. I do not expect you to be able to lift that. Just open it and bring
the canopic jars inside to me,” the monster
instructed.
Canopic jars?
Nick didn’t know what that meant, but he feared the black, shriveled creature
in front of him and did as he was told. The chest was the same black and red
veined marble as the sepulcher and displayed the same eldritch engravings,
only these were inlaid with, Nick assumed, pure gold. The lid opened, by
some unseen hand, as he approached it. Nick closed his eyes and drew in a
breath, holding it. With as much courage as he could dredge up from his tired
spirit, he reached into the blackness of the chest and, with both hands,
removed the first thing he touched. Sure enough, it was a smooth white jar
with an intricate Egyptian motif carved into the
lid.
“Which jar do
you have there?” the grating voice called from behind.
Nick squinted
in the dim light. “It’s got the face of a dog carved into a gold lid,” he
answered back. The lid turned easily and the jar opened. A stench of rot
assaulted Nick’s senses. His eyes burned with tears and his nose stung from
the sharp aroma. He fought the impulse to
vomit.
“That is not
the right one.” The monster’s voice was horrifying, and Nick could hear
impatience in the tone. “Try again.”
1 2 3 4 5 6 |
|
|
About the Author
|

Born under a Hunter's Moon on Halloween and the seventh son of a seventh son, Samuel Hayne was destined for a life in horror. Reading at an early age such authors as Ambrose Bierce, Algernon Blackwood and Edgar Allen Poe laid a firm horror foundation, but it was the work of H.P. Lovecraft and his proteges that became the framework for the House of Hayne. Two stories have been previously published under the name Samuel Hayne, “The Hereafter Hours,” and “Morgansyr.”
"Faro's Ring" was just adapted into a script by Meisenheimer Production in Sacramento, California, and is currently being shopped to several independent film companies for filming. If you are a film maker and would like to see this adaptation, please don't hesitate to contact me at, Sam_hayne2006@yahoo.com
|
http://www.theworldofmyth.com
Copyright © 2006 World Of Myth All Rights Reserved
| |
| What did you think of this? |
|
|
|
|
|


| |
| |